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Studiosity Partner Forum 2024

Published 24th April 2024

I attended my third Studiosity Partner Forum today, which kind of began last night with a dinner and discussion about generative artificial intelligence led by Henry Aider. Generative AI and Studiosity’s new GAI powered Writing Feedback+ service was of course the main topic of conversation throughout the event. Writing Feedback+ launched in February, and they have reported that uptake is around 40% of eligible students, which compares with 15-20% for the classic Writing Feedback service. The model has been built and trained internally, using only writing feedback provided by Studiosity’s subject specialists, no student data. The output of WF+ is being closely quality assured by those agents, and they estimate that quality is around 95-97% as good as human provided feedback.

David Pike, from the University of Bedfordshire presented on their experience with the service in the afternoon. They made it available to all of their students in February, around 20,000, and usage has already exceeded usage of the classic Writing Feedback service since September last year. The average return time from WF+ is around one and a half minutes, and student feedback on the service is very positive at 88.5%. However, he did also note that a number of students who have used both versions of the service stated that they preferred the human provided feedback.

On the flip side of AI, last year Studiosity were exploring a tool to detect submissions which had been written by generative AI. That’s gone. Nothing has come of it as they found that the reliability wasn’t good enough to roll out, especially so for students who have English as a second language. No surprises for me there, detection is a lie.

The keynote address was delivered by Nick Hillman from the Higher Education Policy Institute (HEPI), who talked about their most recent report on the benefits and costs associated with the graduate visa route. It’s overwhelmingly positive for us as a country, and it would be madness to limit this.

Other things which I picked up included learning more about Crossref, a service for checking the validity of academic references; a course on Generative AI in Higher Education from Future Learn was recommended; and Integrity Matters, a new course developed by the University of Greenwich and Bloom to teach new students about academic integrity.

Finally I was there presenting myself, doing my Studiosity talk about our implementation at Sunderland and the data we now have showing a strong positive correlation between engagement with Studiosity and student outcomes and continuation.

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Studiosity Partner Forum 2022

Published 4th May 2022

My first in-person conference in two years at the University of Roehampton’s gorgeous campus was a chance to learn about Studiosity’s plans for the future, to network with colleagues at other UK HEIs using Studiosity and compare notes, and pretty randomly, I was able to get a tour of Roehampton’s new library building during lunchtime (it’s lovely).

On those future plans, we’re going to see an enhanced version of the student feedback view in the next couple of months which is going to allow their subject specialists to insert short videos and infographics explaining particular grammatical concepts, issues with spelling, and so on. They are also introducing a new ‘Student Connect’ tool which will help to facilitate peer-to-peer student support. This is currently in beta testing, and two UK universities are part of this evaluation.

The keynote address was by Sir Eric Thomas, who sits on Studiosity’s Academic Advisory Board, and he made a great point that, looking at historical precedents from past plagues, people at the time always think, “this is going to change everything, we can’t go back to how things used to be”, but invariably things do go back to exactly how they were once the threat is over. He speculated that this was because plagues and pandemics leave physical infrastructure unchanged, in contrast to wars, where the physical act of rebuilding allows for societal changes to be literally built in. However, what may be different as we ‘re-build’ after Covid, is that new communication technologies such as Teams and Zoom have come into their own and already effected change in how we live and work. The permanence of these changes is something that lingers in my mind as I contemplate my future.

Good opportunities for informal chats with colleagues at more advanced stages of Studiosity use, and no easy answers to be had in terms of managing use and expectations, and showing causal links between use of the service and student retention and attainment, something I’m in the midst of grappling with now as we approach the end of our pilot.

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ArtWorks Scotland Forum for Practice Development

Published 6th March 2017

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Following on from the Interface Symposium held here at Sunderland last September, I was asked to attend the ArtWorks Scotland Forum for Practice Development at the National Theatre of Scotland to raise awareness of the pending launch of our MOOC, by networking and delivering a session on the MOOC, showing the development that has been made to date.

With the materials still being built out on the MOOC platform itself, Canvas Network, I ran my demonstration from the SunSpace development site again, after updating it with some of the latest materials, and devising an interactive activity for the attendees of the forum. Lacking time and resources to have people complete an activity within the sample MOOC itself, I embedded an automatically updating word cloud using Tagul and then, during the networking lunch before my session, I interviewed all of the participants asking them to define what participatory arts means to them in three words – this mimicked the assessment we ran at the Interface Symposium. As they gave me their answers I was inputting them into Tagul on my tablet, then during my demonstration, when I came to this page the word cloud was complete with their responses which you can see in the image above. I’m pleased to be able to note that this all went without a hitch, and there was a lot of interest in the MOOC in terms of both providing content (which was one of the aims of attending the forum), and in participating when it goes live later this year.

The rest of the forum was, for me, an opportunity to learn more about the field of participatory arts which, as someone made a point of in their presentation, is possibly the majority of art produced, in contrast to the perception of art as something produced by talented individuals for the enjoyment or consumption of others. Particularly interesting was Simon Sharkey of the National Theatre of Scotland’s presentation about their involvement with the Gulbenkian Foundation to produce Sharing the Stage and Home Away.

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